Maggie Alarcón

Archive for December 20th, 2011|Daily archive page

Cuba-Repsol Oil Operation Threatened

In Cuba, Cuba/US, Cuban Americans, Cuban Embargo, Economics, Environment, History, Miami/Cuba, Politics, US on December 20, 2011 at 2:29 pm
 
 
From the HAVANA TIMES, Dec 20 —
 
The possibility of Cuba becoming an oil-producing country is worrying politicians in the US. They have therefore begun putting pressure on those firms operating in Cuban waters, particularly the Spanish corporation Repsol, which will be the first to start drilling.
 
While Washington says it’s afraid of an oil spill, Cuban-American lawmakers are complaining that oil finds could strengthen the Castro government, and US oil companies are alarmed by the idea of drilling competition 60 miles off their shores.
 
For years there was speculation that Cuban waters could possess deep underwater oil reserves and, paradoxically, the confirmation of this came from the US.
 
A study carried out in 2004 by the US Geological Service claimed that the Gulf area belonging to Cuba had oil reserves estimated at 4.6 billion barrels, in addition to 2.8 billion cubic meters of natural gas and 900 million barrels of liquid natural gas.
Cuban sources now claim there are actually five times more than what the Americans identified.
 
Cuba parceled its 112,000 square kilometers of offshore Gulf waters into 59 blocks and signed exploration contracts with various oil companies, which will take a percentage of any oil discovered or lose their investment if they fail to find exploitable deposits.
 
The investments are huge, while exploration requires working at a depth of 1,700 meters with sophisticated and expensive technology. An aggravating factor is that to avoid a legal problem with the United States, no oil rig can have more than 10 percent of its components made in the USA, according stipulations in Washington’s 50-year economic embargo against Cuba.
 
Repsol is the leading company working in the area and will start drilling early next month from its Scarabeo 9 platform, manufactured especially for Cuba taking into account the constraints imposed by the US.
 
Other companies are waiting in line to use that platform in the exploration of their own blocks. Operating costs are so high that for oil companies to invest, they must have prior evidence that they will find exploitable reserves.
 
Cuban-American representatives in the US Congress rapidly began pressuring Repsol and other oil companies. Thirty-four federal lawmakers, led by Miami Republican Rep. Ileana Ros-Lehtinen, demanded that the project be halted.
 
They claimed that discoveries would only serve to “finance the repressive apparatus,” arguing that the Cuban government is looking for an “economic lifeline” while accusing Repsol of being a “partner ready to rescue it.”
 
Since this political offensive didn’t work, they returned to the attack by questioning the safety of the operation, given the catastrophe impact an oil spill would have on the coast of Florida.
 
In response, a group of US experts (led by William Reilly, the co-chair of the commission investigating last year’s BP spill in the Gulf) was invited to the island this past September. He was accompanied by Daniel Whittle, from the Environmental Defense Fund; and Lee Hunt, from the International Association of Drilling Contractors. The three were “optimistic,” stressing the willingness of Cuban experts to cooperate with the US and recognizing Repsol’s experience in this kind of operation.
 
Michael Bromwich, the head of the US Office of Environmental Safety, assured that “the exploration plan by Repsol-YPF is sensitive to the political and environmental issues of the US, which wants to protect the Florida coast from any oil spill while complying with the embargo against Cuba.”
 
He added that Washington is preparing licenses [to get around the blockade] so that US companies can “deploy equipment for collecting oil, dispersants, pumps and other equipment and supplies needed to minimize environmental damage in the event of a spill.”
 
As the blockade seeks to “weaken Cuba’s economy,” the discovery of reserves would neutralize that attempt.
 
Therefore, Cuban-American politicians are not giving up on their efforts. They presented a bill that would punish foreign oil firms if there were a spill.
 
Senator Bob Menendez, one of the bill’s sponsors, explained the purpose of this, saying, “Companies that want to drill in Cuban waters will have to think twice if they know they’ll be held responsible for any damage to the Florida Keys.”
 
On its website, Repsol says that it’s complying with “all technical requirements and any limitations established by the US government for oil drilling operations in Cuba.” In addition, the firm invited US experts to inspect areas outside of Cuban waters, the mobile platform, the tanker and the rig.
 
Informally, some officials on the island maintain that behind the expressed American “concerns” there hides the continued policy of economic siege.
 
Rafael Arias, the director of the Cuban oil company Cupet, stresses that these maneuvers also reveal “the extraterritoriality of the blockade, the existing prohibitions in the US Congress and the pressure and blackmail being exerted by the US government to curtail or prevent other countries or companies from doing business with Cuba.”
 
The Cuban fears are not simple paranoia. For five decades the island has suffered an embargo aimed at “weakening the economic life of Cuba,” according to documents from the US government itself.
 
These point out that the purpose is to deprive the island of “money and supplies, to reduce financial resources and real wages, to cause hunger and desperation, and to overthrow the government.”
 
Such a policy of hounding and harassment would be impossible to sustain if there were significant oil and gas reserves on the island. The economy would pick up even before the first barrel was pumped out, immediately improving the lives of Cubans.
 
A recent report by the Spanish Embassy indicated that if the survey results are positive, “The favorable consequences for Cuba would begin to be felt from that very moment and could be powerful.”

Why the Sublime Schtick of Sid Caesar Still Matters

In Arts, Education, History, US on December 20, 2011 at 11:56 am

Aaron Sorkin has to be one of the most incorrigibly brilliant writers out there. Please read below and enjoy his most recent piece published in The Huffington Post; it is not typical AjiacoMix material and he –sadly- didn’t send it in for me to post, but I’m replicating it anyway for your reading and learning pleasure. MAP

 By Aaron Sorkin

Sid Caesar is making his way to a small stage in a banquet room at the Ritz-Carlton Hotel in Pasadena. The occasion is the annual Television Critics Association Awards and a few weeks ago when you heard Caesar was getting their Lifetime Achievement Award for his contribution to television you took a moment to wonder, if the TV critics are just getting around to giving him the award this year, who in the world did they give it to last year.

Your Show of Shows, written by a team of unknowns with names like Mel Brooks, Carl Reiner, Neil Simon, Imogene Coca and Allen Stewart Konigsberg — a kid from Brooklyn who signed his checks Woody Allen — was television’s first great television show. The only thing Caesar was better at than physical comedy was language. His characters, whether a world-renowned professor of nothing in particular or an incompetent waiter in a snooty restaurant, frequently spoke rapid fire languages of dubious origin. Joseph McCarthy thought Sid Caesar was very dangerous. Sid Caesar didn’t care what Joseph McCarthy thought. It was on.

You remember a story you once heard. During the height of Your Show of Shows, Caesar was shaving in his bathroom mirror when his seven-year-old daughter took up a position in the doorway.

DAUGHTER

Dad, what’s you name?

CAESAR

You know my name, sweetheart. It’s Sidney.

DAUGHTER

Sidney Caesar.

CAESAR

Yeah.

DAUGHTER

(pause)

You’re Sid Caesar?!

But right now, as he makes his way to the stage in front of a banquet room full of people dressed in “festive business attire” as instructed on their invitations, Sid Caesar isn’t looking like someone you want to be.

He’s in very poor health. He needs an escort to help him to the podium and that’s going to take a little while. You want to lean over to Allison Janney, seated next to you, and whisper, “I can’t remember, has he had a stroke?” But you don’t.

You think about whether it was hard for him to tie his necktie tonight and wonder how long it’s been since he drove himself somewhere in a car and that he probably misses that.

You worry that this entertainer — for whom language was like a baseball coming at you from Satchel Paige — you worry that he probably can’t get a clear sentence out of his mouth.
“Don’t worry,” you implore him telepathically, “all you have to do is make it to the podium and thank the TCA and then you’ll get another standing ovation like the one you’re getting now.”

And now he’s at the podium and his escort steps back out of the light and Caesar stands there wordlessly for a long, long moment, which has everyone a little nervous. Until he raises his arms and thanks the TCA.

In French.

But not really.

You can’t believe it. He’s thanking the TCA, with grand and precise gesticulation, as The Man Who Almost Speaks French. You can’t remember the last time you were with a group of people laughing this loudly and this sincerely. He goes on for a minute and a half (a lifetime on stage) and when he’s done he starts thanking the TCA all over again in Almost German.

Your table — the whole gang from The West Wing — has completely lost control, as have the rest of the five-hundred or so people in attendance. You look over to your friend, Brad Whitford, who’s looking back at you and holding an arm toward the stage — Are you seeing this? — and just in case there was anyone left in the room who was feeling sorry for him because he needed help walking to the stage or tying his tie, Caesar starts all over again in Almost Italian.

And you’re so happy that you get to work in television.

I come from a long line of people who came after Caesar. There was Playhouse 90 that brought us Arthur Miller, Tennessee Williams, Rod Serling and Paddy Chayefsky. James L. Brooks who wrote the best episodes of The Mary Tyler Moore Show and Taxi. Norman Lear — responsible for All in the Family — passed the baton to Larry Gelbart who created M*A*S*H and M*A*S*H paved the way for Steven Bochco, David E. Kelley, David Milch, David Chase, Larry David, Phil Rosenthal, Steve Levitan, Greg Daniels, Matt Weiner and dozens of others.

I hope as the Huffington Post launches its coverage of television they remember that at any given hour in the day, there are about 600 choices of what to watch. 599 of them will be bad — one of them will be Sid Caesar.

Which is which is entirely up to you.